BUILDING BLUEPRINT

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Lyrical Analysis of...

Façade of God

  1. Yeah, I'd' be ready to collaborate, just like light of the screen opened a far off gate
  2. Standing looking, thinking I'd be great with a step over the abyss that could separate
  3. Myself from the ground level state from those that oops hesitate, raise the roof, raise the rate
  4. Waiting for the prompts in a mental state, ready to spit, staining the silver platter plate.
  5.  
  6. When the one comes calling, know death aint stalling, take that ticket, get your hip ass hopping
  7. Writing lines that radio play but still appalling, appealing stuff, to leave 'em crawling
  8. Bounce 'em up, hip hop hopping, right to their feet ass stomping, from the MC, lip ass hauling
  9. the next verse before the crowd starts boo ass balling, Jesus Christ, fast finger crossing
  10.  
  11. Back from the past, had to take a hit with my holy uncle and my lovely sass
  12. Bouncing and hopping there and back and I had a spiritual smash across my ass
  13. Dumb ass, don't let 'em crash, hero your fingers fast, their stuck on stage with audience at mass
  14. Prayers answered, bacon and hash, sliding across table, giving a salt and pepper pass
  15.  
  16. Here and now, get ready for the pow, it's coming, its wow, did you see and hear how
  17. No, to caught up in the plow, didn’t get out of the way, got caught up and now to disavow
  18. All that's hidden, exposed by a vow, to the elite, anyhow don't ever eyebrow a highbrow
  19. At a chance to disallow, middlebrow, so become the stage, become that sacred cow, holier than thou
  20.  
  21. Cash cow, I'm not, standing holier than than the hole on the top that shines light so ever hot
  22. On whoever holds a shot at getting it or fault their attempts at spotting it to that supreme top
  23. For another lot, holding onto a dream, fraught with rot along a path of choice err and ought
  24. From who pushed you to that spot beyond an untaught, lyrical miracle audience onslaught
  25.  
  26. With a prayer and a pen, now I’m standing where, here, not a matter if but a matter of when
  27. On stage as a ten, backing up the one, from two to nine and back and again with a state penn
  28. Holding my own, now and then, spitting ink as fast as I can, shot calling as one of the wise men
  29. An Indian shaman, swinging a ballpen, hitting it out of the bullpen, CNN calling it gone, amen, amen
LYRICAL GRADE

RHYME DENSITY

0

RHYME LENGTH

1 syllable
2 syllables
3 syllables
4 syllables
5+ syllables
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