BUILDING BLUEPRINT
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Lyrical Analysis of...
Amazing Grace
- Voy solo en un avion
- viendo como se cae
- entre nubes de algodon
- y pienso si el olvido sera mejor
- para poder darle paro a este dolor
- ponerle alto a la cancion
- pero que va
- esta maldita longeva
- la cruel soledad
- estos recuerdos que no sacean
- la sed que tengo de ti
- y llevo noches recordando tus ojos
- la mirada contaminante de alegria
- y hoy los mios se me ponen rojos
- cuando escucho la melodia de Ojala
- Ojala no te recordara tanto
- Ojala esta sea la ultima hoja en blanco
- que llene con frases de amor
- para un amor no correspondido
- por que amar en soledad
- es tirarse al olvido.
- Pero ahora eh aprendido
- que hay que amar sin sentido
- por que en las cosas del corazon
- no se necesitan mas testigos
- que los ojos negros tuyos
- Yeah yeah yeah
- make way
- for the heavy weight
- a.k.a Ali Miller
- the greatest motherfucker alive
- with my rhymes i'll educate your
- malnourished minds
- so better listen up to what i have to say.
- Cause i cause more damage the an ISIS member with an A K.
- I find it funny how every war is fueled by guns made in the US of A.
- Ali Miller is here to educate in things nobody dare touch
- Like a corpse that's been decaying for days.
- Like the fight my people have to struggle through on the day to day.
- Like people in Venezuela standing in lines for days and days
- for shit we take for granted,
- truth so real but they cover it with a mystic haze
- of publishers and publishings of material shinings and goods
- that you need to take and intake all the junk food till they clog up your veins.
- Yeah im insane and i embrace it.
- I'll never betray myself, no more i cant take it.
- Cause i was once blind but now i can see it.
- Nothing short from amazing
- but lacking grace, humanity has seealed its fate
- And it's time for me
- to walk away.
What is a Blueprint?
A blueprint is like a report card for your lyrics. It contains a lyrical breakdown and analysis of all the words, syllables, and rhymes in your song.
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