BUILDING BLUEPRINT

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Lyrical Analysis of...

Doomsday

  1. I used to cop a lot
  2. But never copped no drop
  3. Hold mics like pony tails, tight, and bob a lot
  4. Stop and stick around
  5. Come through and dig the sound
  6. Of the fly brown six o sicko psycho who throws his dick around
  7. Bound to go three plat, came to destroy rap
  8. It's a intricate plot of a b boy strapped
  9. Femstat cats get kidnapped
  10. Then release a statement to the press let the rest know who did that
  11. Metal Fist terrorists claim responsibility
  12. Broken household name usually said in hostility
  13. Um... what is MF? You silly
  14. I'd like to take "Mens to the End" for two milli'
  15. "Doo doo doo doo doo!" That's a audio daily double
  16. Rappers need to fall off just to save me the trouble, yo
  17. Watch your own back
  18. Came in and go out alone, black
  19. Stay in the zone turn H2O to Cognac
  20. On Doomsday!
  21. Ever since the womb ‘til I'm back where my brother went
  22. That's what my tomb will say
  23. Right above my government, Dumile
  24. Either unmarked or engraved, hey, who's to say?
  25. I wrote this one in B.C. D.C. O section
  26. If you don't believe me, go get bagged and check then
  27. Cell number 17, up under the top bunk
  28. I say this not to be mean, wish bad luck or pop junk
  29. Pop the trunk on Cee Cipher Punk, leave him left scraped
  30. God forbid, if there ain't no escape, blame MF tape
  31. Definition "super villain": a killer who love children
  32. One who is well skilled in destruction, as well as building
  33. While Sidney Sheldon teaches the trife to be trifer
  34. I'm trading science fiction with my man the live lifer
  35. A pied piper holler a rhyme, a dollar and a dime
  36. Do his thing, ring around the white collar crime
  37. Get out my face, askin' ‘bout my case, need toothpaste
  38. Fresher mint, monkey style nigga get dentadent
  39. And dope fiends still in they teens, shook niggas turn witness
  40. Real mens mind their own business
  41. That's the difference between sissy pissy rappers that's double dutch
  42. How come I hold the microphone double clutch
  43. C.O.'s make rounds, never have ‘ox found
  44. On shakedown, lock down, wet dreams of Fox' Brown
  45. On Doomsday!
  46. Ever since the womb ‘til I'm back where my brother went
  47. That's what my tomb will say
  48. Right above my government, Dumile
  49. Either unmarked or engraved, hey, who's to say?
  50. Doomsday
  51. Every since the womb ‘til I'm back to the essence
  52. Read it off the tomb
  53. Either engraved or unmarked grave, who's to say?
  54. Pass the mic like "Pass the peas like they used to say"
  55. Some M er F ers don't like how Sally walk
  56. Never let her interfere with the Yeti ghetto slang
  57. Nicknames of nimble and tip of nipple metal fang
  58. Known amongst hoes for the bang bang
  59. Known amongst foes for flow with no talking orangutangs
  60. Only gin and Tang
  61. Guzzled out a rusty tin can
  62. Me and this mic is like yin and yang
  63. Clang! Crime don't pay, listen, youth
  64. It's like me holding up the line at the kissing booth
  65. I took her back to the truck, she was uncouth
  66. Spittin' all out the sunroof, through her missing tooth
  67. But then she has a sexy voice, sound like Jazzy Joyce
  68. So I turned it up faster than a speeding knife
  69. Strong enough to please a wife
  70. Able to drop today's math in the 48 keys of life
  71. Cut the crap far as rap
  72. Touch the mic, get the same thing a Arab will do to you for stealing
  73. What the devil? He's on another level
  74. It's a word! No, a name! MF the super villain!

By Anonymous

LYRICAL GRADE

RHYME DENSITY

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RHYME LENGTH

1 syllable
2 syllables
3 syllables
4 syllables
5+ syllables
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